Two approaches

‘Foreword’

Some artists lean toward precision – each painting must improve on the last one, in demonstrating all the skills that go with proper rendition of a natural subject. Demonstrating a pre-occupation with technique.

A Photo-realist usually reveals his personality – to be one of a methodical and patient ‘reproducer’, with a perfectionist streak.

Other artists prefer the intuitive approach – or at least that is how it is usually described. Where the painting is allowed to emerge from his brushstrokes with no adherence to exact observation in reality – hopefully what emerges is something new, something fresh, something not seen before. Originality.

The danger for the ‘realist’ painter, can be lack of originality. The danger for the intuitive painter – lack of skill, or better put – the lack of the use of skill.

I tend toward the intuitive camp.

Here are two paintings to demonstrate what I mean:

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